Welcome to another installment of our Tutorial Tuesday series! Today, I want to share a few ways I use blend modes in Photoshop in order to blend my own custom background papers for my layouts!

Layer blend modes can be quite confusing, and honestly I think that simply playing around with them & trying out different opacities is the best way to learn what fits your style. In general, though, layer blend modes change the way layers (or their colors) react with each other.

The modes that I use the most are:

• Linear Burn & Multiply (the 2nd group of blend modes make things darker; eliminates whites)
• Screen (3rd group of blend modes make things lighter; eliminates blacks)
• Overlay & Soft Light (4th group of blend modes generally make things lighter; they work with the gray tones, and results depend on the colors of your base layer)

The Blend mode panel is found just above the layers in the Layer panel. The default is always ‘normal’ and clicking on the small ‘v’  will bring down the rest of the blending options, as shown here…

Here are a few examples of how I used the blend modes mentioned above to combine two papers together in order to make my own unique background papers. I’ve shown my final layout (top left), the original paper files from the kit I used (bottom left and right), and also the blended version (top right) along with information about the modes/opacities I used…

In the next example, the text paper (lower left) was super fun & I really wanted to use it… but as a background on its own, it was a tiny bit too distracting. Blending it into the starburst paper (lower right) & then lowering the opacity almost all the way down solved that problem. You can still see & read the words on the new version (top right)… but it doesn’t overpower the layout (top left) any longer…

In the next example, I loved the swirly paper (lower right) and wanted to use it for my background, but it was a bit too bright. When I lowered the opacity, however, it seemed to wash out the pretty greens in the paper. My solution was to use a solid green background paper (lower left) because it helped to keep that color nice & sharp, while still decreasing how bold the pattern looks on my layout (top left)…

The next example highlights a useful tip I want to share — which is that if you can’t get it just right with one blend mode, you can always combine it with another mode and/or duplicate the layer that you’re blending. In the following example, I wanted that hexagon paper (lower right) to pop, even despite the darker paper I combined it with. Duplicating the paper and lowering its opacity gave me the defined hexagons I was going for…

Moral to the story: if you love a certain pattern, but you need a darker/different color for your layout… or if you want to tone down the brightness… or if you simply need a certain color to tie your photos together with a kit… blend modes can be your new B.F.F.! Through the use of blend modes, the possibilities are endless!

It’s also a great technique that can help you stretch your scrapping stash! The sky is the limit when it comes to making something unique and creating your own style with just a few clicks of the mouse! 🙂

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About the Author  Amie is a craft-loving dental hygienist who lives in Washington state. She loves her husband, her two kids (ages 9 & 5), and her English Bulldog… as well as coffee, baking cupcakes, daffodils, glitter & sprinkles, reading a good book, and lip gloss — not necessarily in that order.

Have you ever just been browsing through the gallery and seen a page that really just POPPED right out at you? More often than not, that page popped like that because of a gorgeous photograph that the scrapper used. Photographs, and I mean really good photographs, can really make even the most simple page shine!

I hear scrappers comment “Well, I am not a professional photographer, and I don’t have time to learn, so I just use whatever photos I have!” Believe me when I say, “I GET THAT!”  Life is crazy!  At least I know mine is, and I don’t want to spend hours tweaking every single photo I put into our memory books either.

But what if I told you that you could tweak most photos, even the photos you take on your phone, just a little, and improve their appeal incredibly?  Would you be interested to learn how?

Here at The Digital Press we are starting a simple Tutorial Tuesday Series entitled Quick Photo Fixes.  Little tips and tricks to help you step up your everyday photos quickly and easily, so they shine on your layouts and even make those layouts pop right out of the galleries.

Today I want to start with something simple – brightening dark/dull photos.  We all have photos that we took (often with our phone) that are just too dark and drab feeling.  Sometimes they are WAY too dark and you can barely make out the subject matter, but a lot of the time photos are just dark enough to look muddy and dull. They are still usable, but they don’t say WOW! Today I want to show you three simple ways you can brighten those photos and make them stand out just a bit more.

Now, before we start, I want to say that in the world of photography, how under or over exposed a photo is has really become a very personal and artistic thing.  Some photographers swear by certain levels and others just go with what makes them happy.

Here are two different portraits taken from a popular photography site – both are beautiful, and tell their story well, but have different levels of brightness/exposure and so create a different feel.

Since we are working on photos to use in our family memory keeping, I want you to feel free to go with whatever level of brightness makes you happy or fits the mood of your layout.  I personally tend to lean towards brighter, lighter photos with lots of contrast, and sometimes get told mine are “overexposed.” But that is OK with me, because I like the way they feel.  Unless you are a professional photographer and make a living on other people’s desires and opinions, don’t let other people’s aesthetics make you doubt yourself. These are your memories, you make them as bright and happy as you want!

Now, for the fun stuff.

These days I find I am taking a lot of photos with my phone, mostly because my favorite DSLR is starting to die on me and I can’t face the pain of admitting that. But also because I almost always have my phone with me, but my big bulky camera, not so much.  Camera phones really have come a long way, but I find mine still tends to struggle with getting the brightness levels right – especially when we are indoors, and I currently live in the Pacific Northwest where rainy season has taken on a new meaning – even for this Southeast Asian Tropical family – so most days we are inside.

However, I have found that most of the time I can correct the dark drab look of my photos, through one of these three different methods.

1. BRIGHTNESS and CONTRAST

The quickest and easiest method is to play with the Brightness and Contrast.  Granted, this won’t always do the trick, but it is a good place to start if you are new to photo editing or get overwhelmed in PS or PSE when playing around with photos.  It is pretty quick and simple, but it will still make a lovely difference in your photo.

Take this photo for example.

I took this photo of my daughter in a little shop outside a Thai village up in the mountains somewhere.  It was the middle of the day, very hot, very bright outside, but there was no lighting inside the shop except what came through the windows. That made the shop nice and cool, but it also meant that my photos ended up pretty dark.

To correct this, I opened up the brightness/contrast control panel.  You can find it under Image>Ajustments>Brightness/Contrast.

That will open up this little box with sliders for both brightness and contrast.

I brightened my image just enough to bring her face to the right skin tone and leave behind that grey tinge.

Then I added some contrast to bump the shadows back up and bring some pop to the photo.

You will notice that this washed out the background a bit – after all there is a LOT of bright sunshine poring in from those windows.  In this case, I don’t really care, because the background was not so important to this photo, but there are techniques that allow you to adjust for that.  We will cover those at a later date.

Here is a side by side of the original and final photo.

The whole process took less than a minute, and now I can plop this photo into a page.  The photo is not that great to begin with, a bit grainy because my phone was an older model, but the final product has much more appeal to me than the original photo.

2. ADJUSTING LEVELS

A second way to brighten up dark dull photos is by playing with the Levels.  This method is my personal favorite, and although it can seem a bit scary if it is unfamiliar to you, it is really not that difficult to get the hang of.  I like adjusting the levels because it gives you more control over all sections of your image, from shadows to highlights, while allowing you to make more subtle adjustments, and yet it stays pretty simple if you want it to.

I took this photo of my youngest on our front porch during a rain storm.  While there is obviously some light, the photo still ended up dark and dull feeling.  We can easily fix that with levels.

To adjust your levels go to Image>Adjustments>Levels and you will get a little box like this.

The graph that comes up that looks like a mountain range is called a histogram.  A histogram is nothing more than a graphical representation of the tonal values of your image – so basically it shows the amount of tones of a particular brightness found in your image.  Simply speaking, the blacker, or darker tones, are to your left while the whiter, or lighter tones, are to your right.  A good image will have a “mountain range” that spreads pretty evenly through all the values, stretching from left to right.  You can see from my histogram above, that this photograph is missing most of the lighter values to the farthest right.  We correct that by adjusting the sliders that you see at the bottom of the histogram.

For my photo I started with the right most slider, and pulled it towards the left, until it was right at the edge of my “mountain range”  That brightened up the lighter areas of my photo.

I then pulled the leftmost slider over to the right a little, to deepen the darker areas back up a touch.

You can also adjust the middle slider to correct the mid-tones if you feel the need.  I adjusted mine just a bit to bring back the facial features and little details of the photo I wanted to capture.

And again, in just a minute or so we have taken a dull photo up a notch to a fun, colorful capture of a playful moment. There is a lot more you can do with levels if you really want to learn, but this simple step will give you a bit more control over your photos.

3. CURVES

Finally, the third way to quickly brighten dark/dull photos is to use Curves.  You find curves in the same place, go to Image>Adjustments>Curves.

Now, there is a whole lot that you can do with curves, and it can get complicated.  However, for the sake of today’s tutorial we are going to keep it simple.

This time I am using an image that my oldest took in the car.  The selfie camera on his phone is not good at all, and it came out really dark!

So I open my image and go to adjust the curves. Again, a little graph will pop up, this time showing both your histogram, and a line running diagonally through it.

To adjust your curves for brightness, you want to make sure that the RGB path is selected in the channel drop down menu and then you are going to place your cursor on the mid-point of the line and drag it slightly higher.  You generally don’t need to move the line too far in order to change up the image, but you can move it around a bit, both up and down from the starting line, to get an idea of what happens when you do.

Here they are side by side, still not the best image in the world (what kind of face is that anyway ) but much better than the original don’t you think?

So, I hope that gave you a few new ideas on how to quickly brighten up dark or dull photos and really help them pop.  If you find one method does not give you the results you want on a particular photo, then try one of the other two and see if that works better.  Or, if you really want to have some fun tweaking your images, you can combine two or even all three of these techniques to really add contrast and color to your dull photos. If all of that still seems like too much work, you might want to look into some Photoshop Actions.  There are some really fun ones out there for the daring, and just plain simple ones as well for everyday fixes like this one. Some are free, and others cost a bit of money, but actions really do make photo edits quick and easy.  I use actions for a lot of my photo helps, so feel free to ask for recommendations if you don’t know where to look.

Thanks so much for following along with me, and have fun making those everyday photos just a bit more appealing!

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Erin is an artsy crafty kind of girl who is currently dabbling in far too many things, but is working hard to enjoy every moment of it, while avoiding the rain, which is difficult due to living in the land of many rains.  She is slowly learning to use her smart phone to capture all the fun little bits of life that would otherwise go unremembered in the busy,craziness that is raising a family!

I love creating pocket pages, and I just recently discovered that I could quickly and easily create photo collages in Lightroom to use on my layouts. It’s a fantastic time-saver, and I’m here today to show you how to do it, too!

First, I collect all the papers and photos that I want to use in my collage, and place them in a single folder on my computer’s desktop.

Next, I import all these files into Lightroom. For my example, I chose to only use patterned paper… but you could use journal cards, too!

Next, I went to the Print Panel. You can see that I have a bunch of pre-made templates (the best thing is that I found them free on the web, but you can also create your own)! These templates can be edited to fit your needs or you can create your own!

In the Print Job drop-down area, input the dimensions you like. In this example, I chose 9″ x 8″ for my size. In the Print To field, make sure it says JPEG file and that the file resolution is set to 300ppi.

In the Cells drop-down area, I edited one of the sizes in the Add to Package area to 4″ x 3″ (the size of most journaling cards).

Then I added six 4″ x 3″ boxes to my photo collage by continually clicking on the 4″ x 3″…

Next, I added the photos and paper I wanted to use simply by clicking and dragging the photos and paper onto the collage…

And finally, here is a look at my finished photo collage.

I clicked on Print to File in the lower right hand corner and saved my collage…

Then, I opened up my collage image in Photoshop to complete my Pocket Page with some embellishments/etc…

[ products used –My Garden elements, papers, and extra papers by Meagan’s Creations ]

And that’s it! It’s so simple… and such a great time-saver. 🙂

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About the Author  Krista Lund is a mom of 3, married to her high school sweetheart and living in the San Francisco Bay Area. Some of her favorite things are brownies, chips ‘n’ dip, taking pictures, and documenting her family’s story.

Today I’m here to help teach you how to create your own shadow styles, save them to your computer, and use them again in the future. Such a time saver!

As we develop our scrapbooking craft, the tips and techniques we learn along the way help us to work faster — and processes get easier. That’s the goal, right?  When we’re itching to create, we don’t want anything standing in our way — not laundry, cooking, grocery shopping, work, or a commute. Nothing. We want to scrap. Period. 🙂 Anything we can do to speed up the process of creating, especially when the mojo is flowing, is welcomed!

With that in mind, I wanted to show you a quick and easy way to add shadows to your layouts — and also save those shadow styles for repeated use in the future. It’s easier than you might think!

When I was first exploring digital scrapbooking, shadows (and the process of shadowing things in Photoshop/etc.) used to scare me. Let’s be honest… it’s a little intimidating for a beginner! Some designers here at The Digital Press offer shadow styles for sale in the shop… with the idea being that you can install the styles on your computer, and then with a few simple clicks of the mouse, voila! Instant shadows! Super time-saver.

For myself, now that I am almost 15 years down the digital road… I find that I’ve developed my own “shadowing style” over time — it is personal to me, based on my own preferences about how things should look. The trouble is… it often takes a lot of time to customize shadows over and over. For instance — I might find myself applying a particular shadow depth for some items, a specific shade of brown (instead of the default black), a certain blending mode, and even specific changes to the opacity of the shadows. On a good week, I can scrap five pages or more… but that’s a lot of added shadow work! So the idea of being able to quickly click-and-apply my own shadow styles was very appealing.

To take a look at how this works… let’s start with an unshadowed version of a page I created for this month’s scraplift challenge (I’ve deliberately left my shadowing off this copy of the page so I can walk you through the quick steps for creating — and using — your own, personalized shadow styles)…

As you can see, with regard to what needs to be shadowed — I’ve got some large flowers and some small flowers, a piece of flair, some papers, some thick and thin string elements, and even a small crotchet piece. Each item needs its own shadow, and based on my preferences… each of these items would be treated a little differently.

Let’s take a look at the large yellow flower and start there.

Click on the “fx” button at the bottom of your Layers Palette and select Drop Shadow …or use the menus and go to Layer > Layer Style > Drop Shadow. Either one will give you a pop-up menu in which to create your shadow. As you can see, I like a large, feathered shadow for my  larger flowers (or similarly-sized elements). Oh, and in case you’d like to know, my “brown” color is #30200E.

See the difference on the yellow flower (lower-right corner) now?

Once you have the foundation of your shadow set, instead of hitting that “OK” button… click “New Style” instead. Give the style a name you’ll easily remember, and now click “OK.” How easy was that?! You’ve just created your own, personalized shadow style! Repeat this step for each of the different design elements.

But how do you actually use these styles once you’ve created them?

If you don’t see the Styles palette in your workspace, go to Windows > Styles. When this panel first opens, you might see something like this – but don’t panic! (and please don’t judge, haha! …I have a lot of styles in Photoshop!)…

You’re probably wondering how on earth are you supposed to find the styles that you just created for yourself? I’ll give you two tips that will help:

1. You can change the “view” for the palette to something that’s much more manageable. In the upper right-hand corner of the Style box, there’s a drop-down menu button — click on that. I like “Small List” or “Large List” as my preferred viewing format as it gives me both the display icon and the text label, like Large Flower.
2. As you create or add styles, they will be at the bottom of your list; they append each time. Scroll down.

To apply your new styles, click on the element layer to make it active, and then click on the appropriate style. See? Two clicks of the mouse and you are done! You can even select multiple layers by holding down the Shift key and then apply a single style to them all at once (which is very handy when you’ve got a lot of paper layers, or if your scrapbooking style includes a lot of clustering).

Remember the non-shadowed page that I started with (see above)? By using my own custom styles, I was able to shadow the entire layout in a matter of just minutes — seriously, minutes! (even with further customizing a shadow or two)…

[ Credits: I Can Do This | March 2017 Collaboration kit from the designers at The Digital Press ]

 

If you’re in a time-crunch, or you just find yourself repeating the same steps over and over again while shadowing your scrapbook pages… creating your own personalize styles might just be the short-cut you are looking for! Easy to create. Easy to use. What more could you ask for? 🙂

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About the Author  Kat Hansen is a creative team member here at The Digital Press. A Director of Human Resources by day, she loves the opportunity to spend a few hours each evening being creative. Vacation memories feature pretty heavily in Kat’s scrapbooking pages, as do her son and “daughter” (of the four-legged furry kind). Kat has quite the sense of humor (she “blames” her father for this), which she incorporates into her journaling and memory-keeping.