Category: Tutorials

Tutorial Tuesday | Documenting Kids’ Artwork

If you’ve got children, you’ve probably also got an ever-growing assortment of art projects slowly accumulating dust and fading in the sunlight somewhere in your house.

You’ve probably also decided — maybe more than once — that it’s time to organize said pieces, and/or *gasp!* archive them into the recycling bin. Today, I am here to share a couple of ideas about preserving these amazing masterpieces (a.k.a. glimpses into our children’s lives at a certain age), while simultaneously reducing the clutter associated with this endless stream of kids’ artwork.

STEP 1: RECORD IT

How? When new artwork comes into the house, I photograph it. I do this for all things I think I might want to keep — drawings, handwritten stories, paintings, decorated bags… all of it. I try to do this immediately (or at least within a day or two), because then the art hasn’t had time to get damaged by sunlight, dirty fingers, angry siblings, the robot vacuum, being stuffed between sofa cushions, left in the bathroom, misplaced or (let’s admit it) recycled in a fit of clutter-induced pique.

I usually try to photograph artwork mid-day, and I do it indoors in indirect natural light so there are no harsh shadows. I lay flat pieces on the floor, and photograph from directly above, usually against a background that’s a different color than the artwork so that it is easier to extract in Photoshop (if desired). For dimensional pieces, I try a variety of different angles to capture the depth and/or texture of the piece. Once I have my photos, I can take my time deciding how to archive them without having to worry about the artwork degrading or disappearing. This also allows our family the ability to enjoy the originals for as long (or short) a time as desired.

While I prefer to photograph my kids’ artwork… there are also other methods that can be employed. If you own a scanner, you can always scan the flat pieces. There are also plenty of apps out there that you can use to “archive” artwork, but I’ll admit that that particular avenue hasn’t ever held as much appeal to me. Occasionally we’ve had cute little pictures turned into tangible items such as note cards, magnets, or pillows… and/or we’ve framed our favorite finger-paintings… but in general, I much prefer photographing everything and using those photos in my memory-keeping. Shoving the old artwork deep into the recycling bin before the kids wake up seems a bit heartless, and so the photography-to-scrapbook method as worked out to be a fantastic compromise.

STEP 2: DOCUMENT IT

Once you have your artwork recorded, there are a handful of different things to do with the photos to get them off the computer and into your scrapbooks. Here are just a few ideas…

  • Scrapbook an entire page to showcase a specific piece of art
  • Use a single piece or artwork to support a page about some aspect of your child’s personality (or even about an event)
  • Turn a single piece into a pocket card and include it in a weekly or monthly summary page (or an “All About Me” page)
  • Accumulate pictures of artwork over time, and then have them all printed and bound into a single photo book that’s all about the art

My kids (and others) enjoy seeing their creations incorporated right into our family albums. Recently, for instance, I made this page about a little book my son recently made at school…

To create the above page, I individually photographed each two-page spread of his book, and then I extracted the photos in Photoshop (I also extracted the “written by” line and name from a photo by removing the white background). If you look closely, I also included a “translation” of the text in the border; be sure to include a translation or explanation if the subject matter isn’t immediately apparent, and/or if your audience isn’t fluent in “emergent speller.” 🙂

This next page highlights a single drawing, as well as the original photo that inspired it. I used a similar extraction technique on this picture…

Finally, this next one highlights the mailbox my daughter dreamed up and constructed (with recyclables! and a little adult help) for Valentine’s Day. I love the detail images, such as the eyeball and the painted heart (“it’s a v-neck sweater,” I was later informed).

The artwork photography technique also works well for a host of other types of kids’ art, including…

  • Dimensional ephemera (like egg-carton caterpillars, foam-ball-and-pipe-cleaner ants, decorated rocks, and Valentine mailboxes, as shown above)
  • Artwork items that you want to record in multiple spaces (say, in both a family album and in a child’s album… or even one you send out to the grandparents)
  • Anything made out of colored construction paper

As you can see, though… it doesn’t really matter which method you use, as long as you record and document it. Whether you photograph and scrap your child’s artwork to preserve color, prevent damage, reduce clutter, record a memory, or capture a moment in time… the general idea is to get it photographed and get those pictures scrapped before the memories are faded just like the construction paper they were created on.

Including your kids’ masterpieces is simply another great way to document your child’s (or entire family’s) story, while also reducing some of the household clutter at the same time. Win-win! 🙂


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About the Author  Carrie is a creative team member here at The Digital Press. She and her family enjoy spending time outdoors, year-round, near their home in Colorado. In addition to scrapbooking and the occasional hybrid home decor project, Carrie also reads voraciously, accumulates fabric, makes soap, brews beer, grows hops, and tries to keep indoor plants alive.

Tutorial Tuesday | The Field Blur Technique

I have a hunch that I’m not the only member of Apple’s demographic who was excited to get the new iPhone 7 just for the upgraded camera! Yes, I confess, it’s true.

One of my favorite features of the new iPhone 7 camera is the Portrait Mode on the camera. In this mode, you set the focus to your subject and the background blurs out… as if you were taking the shot with a DSLR to control the depth of field. The resulting shot can be really dramatic and look quite professional — even for point-and-click phone camera photographers.

Here’s a look at the difference…

Because I loved this effect so much, I wondered (a) what could non-iPhone 7 users do to achieve the same result? …and (b) whether there was an easy method I could use in Photoshop to achieve this effect on older photos, for use on my scrapbook pages. Photoshop did not disappoint. I checked out the Field Blur filters and found that it is super easy (like, 2 minutes or less!) to create the same effect. Here’s how it’s done…

1. Open your photo in Photoshop (*NOTE* I’m using Photoshop CC 2017 for the following examples)

2. Choose Filter > Blur Gallery > Field Blur

3. You’ll wind up with a little pin graphic pointer which you can use to drop multiple pins in strategic places on your photo. Each pin drop tells Photoshop to blur that surround area to the level you specify using the adjustment ring (the circle around the center of the pin). To adjust any pin, click on the adjustment ring and drag your mouse around the wheel to the desired level. A setting of “0” means that no blurring will happen in that area.

*NOTE* To get the look you want, you’ll have to experiment and place multiple pins. What I found to work best for me was to place a “row” of pins within the boundaries of the subject… but toward the outer edge, and then also place another “row” of pins just outside the boundaries of the subject. On the inner row, I set all of the blurs to “0” and on the ring (just outside the subject), I set all of those higher (I used “25”).

4. I also dropped a couple of other pins around the rest of the image (outside the subject) to ensure that the entire background was blurred. The beauty of this technique is that you can adjust the blur intensity on each pin, in case there are areas where you need to ease into a more intense blur over a span of the image. You can always move any one pin (or delete it) by clicking and dragging on the center of the pin.

5. If you’re curious to see how the mask looks without the image, hold down “M” and you’ll be able to see the blur mask. Wherever you see white… that’s where blur is applied. Black areas are protected (no blur), and gray areas are areas of partial blur.

6. When you’re finished, click “OK” at the top of the filter window.

That’s all there is to it! It’s a technique that is super easy, once you get the hang of it!

Here’s a comparison of the photo straight from my iPhone 7 with Portrait Mode (left), and the one I doctored up in Photoshop (right)…

Pretty close, right?? The effect really makes your subject pop, and takes out any distracting background features.

Here’s a layout that I created using my image, along with KimB Designs’ Be Brave Kit and a template from Stripped Down (Vol 1) Templates by Laura Passage…

 


ShannonAbout the Author  Shannon has been completely addicted to digiscrapping since she began in early 2016 (though she’s been a scrapper since 2000). Her early morning ritual of a few quiet hours of scrapping while sipping a chai tea is her favorite part of each day. She is also the owner of a web design company, and when she’s not at the computer designing websites or digiscrap layouts, she’s probably hiking one of the local mountains in her hometown of Phoenix, Arizona. She is an avid reader and loves to travel to foreign countries.

Hybrid How-To | Bag Toppers

My daughter passed out donuts to her entire 5th grade class for Valentine’s Day. She wanted to add a little card or something she could sign her name to, so I whipped up these bag toppers we could staple to ziplock bags. It was such a quick project… and I was thinking it would be just perfect for any party favor. Throw the candy/treats/toys into any size bag and add the personalized topper. Fun and simple!

The first thing I did was measure the width of the bag. I used regular old sandwich bags for the donuts… each of which measured about 6.5″ wide. I wanted the front of the design to be 1.5″ x 6.5″ — making the total dimension for each topper (front and back) 3″ x 6.5″.

To do this, I clipped patterned paper to a simple rectangular template I made (see image, below), and then I designed the front of the topper using digital elements from the same kit. I kept my design flat — so it ended up being a simple flat digital design that I could easily print off (i.e. no extra cutting or assembling of extra embellishments/layers). I thought it would be easier that way since I was making like 30 of them. 😉

*PRO TIP* When creating your rectangular designs… make sure the “front” of the design stays on the bottom half of the template so it won’t be folded over to the back once you attach them to the bags.

After creating the design in Photoshop… the next step is to print, cut, and fold each topper in half. I filled all my bags with donuts, sealed the bags, and then stapled the toppers onto the zippered portion of the bags…

Here’s a look at the back (left) and front (right) of one of my topper designs…

This project literally took me about an hour from designing the toppers in Photoshop to completing the finished project — with no fancy cutting machine required. I hope you’ll give it a try!


Kate About the Author  Kate is on the hybrid team here at The Digital Press. She lives on the Utah/Colorado border with her husband, 5 kids, 10 chickens, and a dog named Gracie. She’s a city-born girl who found she’s really a country girl at heart. She can be found outside, barefoot, and probably in her garden.

Tutorial Tuesday | Creative Journaling

I recently found out that breaking up is easy to do! Oh it’s okay, really… I’m only talking about breaking up the journaling on my digital scrapbook pages. 😉 I’m here today to share some tips for this process.

One of the reasons I am so passionate about digital scrapbooking is because the pages I am creating today will be a legacy for future generations to enjoy years from now! I am in the process of creating books for our two beautiful grandbabies, and I try to include as much information as possible on each page.

While I’m comfortable with journaling on the pages, I have recently felt that I am in a rut with regards to the actual placement of the journaling. Simply put, I realized that my process was only to “find a spot I like and start typing and stop when the story ends.” The journaling I do is usually along one edge or the other – or smack dab in the center of the page. I have been known to ramble… and ramble… so I started thinking more about the placement and how it affected the visual composition of the page.

When I created the page shown below, I concentrated on breaking up the journaling. I wanted the words to become part of the overall design of the page, and I wanted them to flow together with the photos and the other elements of the layout.

I realized that by breaking up the journaling on the page, it gave the reader a little visual break. Perhaps even a chance to contemplate what they just read before moving on… or a breaking point to examine the photos after reading part of the story… or simply to admire the other aspects of the page. It also allows the eye to flow around the page rather than concentrating on one big block of text.

Here are a few tips you can employ in order to break up your journaling while scrapping your memories…

  • Use your title work to break up the sentences/paragraphs (this technique is shown above)
  • Similarly, you can break up your story by placing word art and/or elements right in with the journaling itself
  • Align the text differently throughout your page (right / left / center… you’ll note, above, that I changed the alignment depending on which side of the page the journaling appeared)
  • Use “bullet” type journaling — placing the bullet points randomly around your page
  • Place the photos and elements on the page first, then fit the journaling to align with the photos (something I did when I created the page shown above)

There are many more ways to achieve this, but I hope the tips I’ve shared here have at least given you a bit of journaling inspiration today! Thanks for stopping by the blog for another edition of our Tutorial Tuesday series… and until next time, “Happy Scrapping!”

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Jill WAbout the Author  Jill has been digiscrapping since 2006 when she came across it (quite by accident) while Googling “computer crafts.” Since that time, her love for the hobby has only increased! Her love of photography melds perfectly with digital scrapping, and she is thrilled that she has the opportunity to be part of The Digital Press creative team!

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Tutorial Tuesday | Combining Templates

Do you ever struggle to find a template that’s just right for the photos you’re trying to scrap? If so, I have a quick tip for you today!

I love using templates to speed up my scrapping while also making layouts with a beautiful design. Sometimes, though, I can’t find the perfect template to match my photos/topic. What’s a scrapper to do, you ask? My solution: combine templates to create one that perfectly suits my images!

For the example I’m showing you today, I chose to work with a template set from our newest designer at The Digital Press — Jen C Designs’ You’ve Been Snapped Vol 1. Here is a look at the original template set (before I made any alterations to any of the templates)…

I love the layered paper background in the template shown at the top right… but I knew that I needed quite a few more photo spaces. I looked at the other templates in the set, and found the one at the bottom right, which featured three additional photo spots. I also liked the arrows on that second template!

To combine the two templates…

  • First, I opened one of the two templates (the one shown at top right, above) in Photoshop.
  • Next, I opened the second template (the one shown at bottom right, above)… and I selected all of the layers that I wanted to use and dragged them over into the first template.
  • After a few quick tweaks and a bit of re-sizing here and there… I had an all-new template that would work beautifully for my photos.

Here is a look at my resulting layout after combining the two templates…

Once you give the idea of combining templates a try, I think you will see that the possibilities are endless! You’ll never be stuck looking for the right template again… but you can still benefit from the ready-made aspects of using layered templates (paper layers, embellishment placement, page balance, etc.). It really stretches your template stash, too… as you can use each template as-is, and then combine them to create new options from the same set!

I hope you’ll give combining templates a try… and if you do, I’d love to see your finished page! Load it up in the gallery at TDP, and leave me a link to it in the comments, below. 🙂


About the Author  Katie is a member of the creative team here at The Digital Press. She lives in Central Florida with her husband and their four sweet but crazy boys. When she’s not dodging Nerf bullets or trying to dig out from under the never-ending pile of laundry, she enjoys photography, cooking, going to Disney World with her family, and, of course, digital scrapbooking.

Hybrid How-to | Creating a Hybrid Page Using a Digital Template

Hi everyone, It’s Saturday and time for another edition of our Hybrid How-To series here on The Digital Press blog!  Today, I’m here to help show you how easy it is to create a hybrid page using a digital template.

I love working with paper and physical elements/stamps, but sometimes I also miss being able to change things and make adjustments like I can with my digital layouts… so hybrid projects are my favorite way to make pages. The best of both worlds! I also think digital kits are a fantastic way to stretch our crafty budgets; we can print and cut as many times as we like.

When I make a hybrid page, I like to use the digital templates I have in my stash… and let me tell you, it’s really fun and easy!

For the layout I am making for today’s tutorial, I used two different digital products — a template from Sahin Designs — January 2017 Layered template 1

…as well as a digital kit by Little Lamm & Co. — Nonpareil Scrapbook Kit

With Valentine’s Day right around the corner, I’d like to celebrate my loves, so I’ll be making a page about them.

I’ll start out by creating my page in Photoshop, using my digital template and the digital items that I plan to print out. Here’s a look at the template, before I begin working…

…and here’s a look at the template once I’ve added my photo, digital papers, and embellishments…

After I have all of my printable items sized the way I want, I separate each of the pieces (see image, below right) and save them all as a PNG file to print and fussy cut. Although I have a Silhouette Cameo, sometimes I simply fussy cut just because I love it!

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I also print out the papers for the larger circles… and these I actually cut with my Silhouette Cameo (see full printed papers in image, below right)…

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As you can see, I duplicated some elements. I do this often just because I want to have some cute stash ready to use.

Here are my pieces printed and cut…

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After I have all my pieces cut out, I just put them back together on a physical 12×12 page and then add my elements, stamps, hand-stitching, and some spray ink splatters, as shown here…

And there you have it! A beautiful hybrid page without all the guesswork or the need to re-print several times to get things right. 🙂

If you’d like to give this a try, too, don’t forget that you can earn challenge points at TDP! Come visit the CROSSWORD SECTION in The Digital Press forum, and you’ll find this month’s Hybrid Challenge thread (for each month’s Hybrid Challenge at TDP, you get to choose one of the month’s “Hybrid How-To” tutorial posts from here on the blog and make your own version). If you choose to give today’s project a try… all you have to do is make a hybrid page using some digital elements and papers, along with a digital template as your foundation for the composition of the page. You’ll see how fun it is! Give it a shot, and share your final results with us! We can’t wait to see what you come up with.

Have a great weekend you guys, and happy scrapping!


AndreaAbout the Author  Andrea Albuquerque is part of the Hybrid Creative Team here at Digital Press. Andrea has been a scrapper since 2010 and a photographer since 2012. Although she adores the flexibility and creativity of digital, she can’t resist playing with paper, paint, and embellishments… so hybrid scrapping is the perfect medium for her! She lives in Brazil with her hubby.